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Is the name suggests, handwritten fonts are fonts that look like they were written by hand, usually with a pen or marker. Within that broad category you’ll find a range of styles that reflects the variations and subtle differences found in actual handwriting.
The difference between script and handwritten fonts is perhaps a bit pedantic, but is based in the fact that script fonts are decorative or calligraphic in nature, while true handwritten fonts reflect the penmanship one would use in a letter.
Script or handwriting fonts look more natural and elegant. One of the striking features of this script or handwriting font is like handwriting and calligraphy.
A font is a typeface that has a specific size, weight, and style. This term is mainly used in traditional metal printing. In the modern world “font” is often synonymous with “typeface”, although the two do not necessarily mean the same thing. For example the Bulmer typeface has the fonts “Bulmer roman”, “Bulmer bold”, “Bulmer italic”, etc. — however the word “font” can be applied to each of them as well as to the whole.
Although initially font referred to a fixed shape and size, since the 1990s, the term font generally refers more to dynamic letter shapes or icons that can be enlarged or reduced in size at the time of printing.
A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham, George Shelley and George Snell.
The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes. Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century.
Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter’s typeface Snell Roundhand. These typefaces are frequently used for invitations and diplomas to effect an elevated and elegant feeling. They may use typographic ligatures to have letters connect.
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